No, no, not the “payback is a . . .” type. The good kind!
We’ve benefited from numerous suggestions about things to watch while on lock-down . . . again. I thought I would pass along what we watched, what we liked and disliked, in case anybody else is in a similar need.
Judy & I basically stopped watching network TV in the late 90’s. Seinfeld lurched to an exhausted, silly ending (in my opinion), which was an apt metaphor for most major network fare. Friends kept suggesting “edgy” shows on cable, but they seemed mostly gimmicks. Sex scenes replaced good writing, token characters (“look, the first x on network TV”) replaced depth. I knew there had to be good television out there, but I was unwilling to wade through the dreck to find it.
Hunkered down today with satellite TV and decent Internet speeds, we had literally decades of material available, and more important, the longer vista of critical reviews (and friends) to guide us.
We enjoyed The Sopranos, which held to high production standards across six seasons. The characters were interesting, if not always likable. You could make a very entertaining drinking game by taking a shot every time an episode shows a completely unnecessary scene set in the strip bar. One could almost here the producer saying,”hey, this is cable, dammit, get the naked dancers in here.” And no, I didn’t really like the en . . . . .
Likewise, The Wire was excellent for five seasons. We really enjoyed seeing actors we liked in later series, here in their first breakthrough roles. This series got so many plaudits for its gritty realism, and they were well-deserved. What kept bothering me was: how could so many people watch a show like this and NOT begin to understand the problems of urban crime and race? It’s all there literally in black and white.
Breaking Bad was a guilty pleasure: such well-crafted plot-lines and characters. Sadly, it completed a transition I noticed at the time, from cheering for good (if flawed) characters to asking us to cheer for despicable ones. Judy & I began debating whether there were ANY identifiably “good” characters in the series, and as the five seasons unfolded, we both concluded “none.” The sequel movie El Camino and prequel series Better Call Saul are just as good, and “bad.”
On a lighter note, the recently concluded Schitt’s Creek was a joy to watch. The Canadian production (eighty episodes, but only twenty-plus minutes per) proved the sitcom is not dead, it just requires writers. Now, this is not earth-shattering television: the story line is basically Green Acres with a side story of a gay couple. But it marked the return of very flawed characters who (mostly) evolve in positive ways. And it’s funny, even if just for the facial expressions of Eugene & Dan Levy (Father & son). Bonuses: No laugh track, no gratuitous sex.
Another favorite was the Starz/BBC dramatic miniseries The Spanish Princess about Catherine of Aragon. We stumbled onto this one before realizing it was third in a series, so we need to double back to the The White Queen and The White Princess. Together they tell the tale of the various powerful women involved with the English War of the Roses and subsequent reign of Henry VIII. There are some historical liberties taken: no, Catherine did not ride into battle in maternity armor (she elsewhere and at a different time gave a rallying speech to the troops wearing such armor), but the discrepancies are only minor and the stories remain solid.
The only thing we gave up on so far was Ozark, which seemed to take the same general theme as Breaking Bad and the production quality of The Sopranos. Every character was despicable from the get-go, and the plot contrives early on to get into the strip club business, because, “hey, get the naked dancers in here!” Sorry, derivatives need not apply.
Turning to movies, here are a few lesser known treats:
Find the full length director’s cut of Apocalypse Now and watch it. But first, do me a small favor. Find a copy (or free PDF) of Joseph Conrad’s novella Heart of Darkness, the book upon which the Coppola movie is based. It’s short, and you probably were forced to read it in high school or college and quickly forgot it. But the movie is not about Vietnam, it’s about the issues raised in Conrad’s book: myths about civilized and uncivilized peoples, the confusion of technology and progress, misguided loyalties and the depths a person can sink to when they become unmoored. The movie has about a hundred unforgettable quotes, and of course, this scene:
Since you have time, how about watching some trilogies as collective stories?
I suggest you begin with the Dollars Trilogy, the three Spaghetti Westerns directed by Sergio Leone and starring Clint Eastwood. Leone didn’t intend that A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad, and the Ugly be a trilogy. But Eastwood’s iconic “Man with No Name” is unchanged throughout, bringing the movies together.
Next, an actual trilogy done by Sergio Leone, the “Once Upon a Time” series. These stories capture the essence of different periods and places. Caution: make sure you get the full original versions of these movies. They were initially released in the States with severe editing that made them practically unwatchable! Once Upon a Time in the West covers the mythology of the American Western Frontier, Duck! You Sucker (the real title) covers the Mexican Revolution, and Once Upon a Time in America is the story of Jewish Gangsters in New York City. All very different, and very compelling.
Finally, a really off-the-wall trilogy: the El Mariachi series (by Robert Rodriguez), also called the Desperado series or simply the Mexico series. It comprises El Mariachi, Desperado, and Once Upon a Time in Mexico (an homage to Leone’s work). These are modern Westerns, love stories full of tragic mistakes, revenge, and surreal violence. The first was practically a home movie, but proved so interesting it sparked a sequel that brought Antonio Banderas in for the lead with Salma Hayek as his love interest. Steve Buscemi, Cheech Marin, and Quentin Tarantino have bit parts (Google “Tarantino’s joke scene in Desperado”. This is a family-friendly blog or I would link to it!). The finale adds in Johnny Depp (as a CIA ‘agent’), Eva Mendes, and Danny Trejo. While it has a meandering plot, it is still good fun and you’ll never look at puerco pibil the same way again!
If you have a favorite series or movie that might deserve another look, or might have been overlooked, please mention it in the comments!